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  • Dsc04794
  • Img 1955
  • Img 1956
  • Img 1959
  • Img 1958

Additional Information

Are There Ever Enough Flowers In the World III by Robbi Neal

Artist Statement: There is never enough happy endings, flowers, love or gin in the world. This work is a landscape of red flowers in the sun.

This work is Acrylic on 91cm X 76 cm on Luca Premium Professional Canvas, stretched onto a kiln dried frame, wired ready to hang, signed on the front and sent with an artist cv and certificate of authenticity.

The work is sealed with a Conservationist Gloss Varnish. The conservationist quality varnish means that you can wipe the painting free of dust with a damp cloth, if you need to, which will preserve its life. Conservation quality varnish is essential as it won’t yellow or crack with age and light.
This work is sent without an exterior frame (images are to give an idea of what it would look like with an exterior frame). The work is painted on the sides (no ugly white sides) so you can hang it as it is without an exterior frame and it will still look lovely from any angle.
With framing I suggest choosing an exterior frame that matches your furniture (match the furniture not the painting). ie if you have natural timber choose a neutral timber frame, if you have a lot of black trim choose a black frame. But I would not normally recommend a black or white frame if you don’t have a lot of black or white in your home that will be near to the painting – if in doubt a soft neutral timber is most probably going to look better. I have included images with different coloured frames.

This work will be sent via Australia Post Express.

Are There Ever Enough Flowers In the World III

Robbi Neal

AUD$1,500
Size: 76w x 91.5h x 4d cms
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Additional Information

Are There Ever Enough Flowers In the World III by Robbi Neal

Artist Statement: There is never enough happy endings, flowers, love or gin in the world. This work is a landscape of red flowers in the sun.

This work is Acrylic on 91cm X 76 cm on Luca Premium Professional Canvas, stretched onto a kiln dried frame, wired ready to hang, signed on the front and sent with an artist cv and certificate of authenticity.

The work is sealed with a Conservationist Gloss Varnish. The conservationist quality varnish means that you can wipe the painting free of dust with a damp cloth, if you need to, which will preserve its life. Conservation quality varnish is essential as it won’t yellow or crack with age and light.
This work is sent without an exterior frame (images are to give an idea of what it would look like with an exterior frame). The work is painted on the sides (no ugly white sides) so you can hang it as it is without an exterior frame and it will still look lovely from any angle.
With framing I suggest choosing an exterior frame that matches your furniture (match the furniture not the painting). ie if you have natural timber choose a neutral timber frame, if you have a lot of black trim choose a black frame. But I would not normally recommend a black or white frame if you don’t have a lot of black or white in your home that will be near to the painting – if in doubt a soft neutral timber is most probably going to look better. I have included images with different coloured frames.

This work will be sent via Australia Post Express.