Free Delivery Australia Wide.

7 Day Satisfaction Guarantee

  • Img 3495
  • 78036880 Ffb8 11f0 8f13 49749abf3df5
  • Screenshot
  • Aba04c80 Ffb8 11f0 8f13 49749abf3df5
  • 51ffa100 Ffbb 11f0 8f13 49749abf3df5
  • 53ba3b46 10d5 4149 A6f7 845ea9f29364

Additional Information

First Pour by Kate Harkin – captures that small but perfect ritual that signals the start of summer — the first drink after a swim, the first long lunch of the weekend, the first moment you exhale and realise you have nowhere urgent to be.

Set against bold coastal stripes, the citrus becomes both subject and symbol: freshness, brightness, and the sensory memory of hot days cooled by salt air and tonic over ice. The composition leans into simplicity and balance — clean geometry softened by organic form — echoing the rhythm of Australian coastal living.

Like many of Kate Harkin’s still life works, First Pour sits somewhere between observation and atmosphere. It is less about the objects themselves, and more about the feeling they hold — sun on skin, glass in hand, and the quiet luxury of time slowing down.

First Pour

Kate Harkin

AUD$2,600
Size: 76w x 76h x 4d cms
View in my room

×
Powered by

Acrylic on canvas

Ready to hang

In stock

Add to Wishlist
Add to Wishlist
Sold By: Kate Harkin

Love this

7 day returns guaranteed
Free Shipping Returns and refunds

Additional Information

First Pour by Kate Harkin – captures that small but perfect ritual that signals the start of summer — the first drink after a swim, the first long lunch of the weekend, the first moment you exhale and realise you have nowhere urgent to be.

Set against bold coastal stripes, the citrus becomes both subject and symbol: freshness, brightness, and the sensory memory of hot days cooled by salt air and tonic over ice. The composition leans into simplicity and balance — clean geometry softened by organic form — echoing the rhythm of Australian coastal living.

Like many of Kate Harkin’s still life works, First Pour sits somewhere between observation and atmosphere. It is less about the objects themselves, and more about the feeling they hold — sun on skin, glass in hand, and the quiet luxury of time slowing down.