Additional Information

Fragments fine art print by Kaz Djordjevic – there’s something about Fragments that catches on the edge of your thoughts. It’s not loud, but it bounces around the subconscious. Kaz leans into a kind of controlled chaos here – layering form and feeling in a way that’s totally personal, yet comfortably at home in modern spaces.

The palette pushes hard with Sci-fi flashes of bright blues, jolts of hot pink / orange, all anchored by deep electric blues and a grounding wash of muted silver that pulls everything back to earth.

More than a fine art poster, it’s a physical cue that the person living here has stories, taste, and a ‘thang’ for pieces that feel both finished and free. A visual off-beat, pulled from the studio floor of Kaz Djordjevic – where painting is instinctual, textured, and always chasing rhythm over perfection.

Printed in a short run for astute buyers who value original Australian abstract art without the fuss, Fragments holds its own in clean, design conscious interiors. It carries intention – perfectly at ease beside curated objects, brutalist furniture, or worn in timber. Hand-embossed by the artist, and produced with gallery-grade inks, this print is for those who like their art like their playlists – curated, grounded, and never generic.

With only 100 prints ever available, each piece is a rare crop from the original painting.  All prints use premium museum grade parchment, archival inks, and sealant – delivering exceptional colour depth, fine detail, and the highest image stability.

This work is part of KD Studio’s Short Run series – a tightly composed crop from the original painting, selected for its standalone strength. With only 100 prints available, each piece is archival, printed with museum-grade inks, and hand-embossed with the studio mark for authenticity. It’s a refined way to bring more original, Australian abstract art into your space – rare by design, without the price tag of a full limited edition. Open edition with a maximum production run of 100.

Kaz describes her painting practice as a dance, a performance, an adrenaline rush; creating works through a process involving music and movement – relying on natural instinct to ‘play’ with the colours, forms and textures as she procures them on the canvas. Her paintings allow you to see the age-old act of painting manifested with as much excitement and freshness as if it were invented yesterday.