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Additional Information

Fresh and pure by Anjana Rai

This artwork is  painted using impasto technique with palette knife and is framed in oak floater frame, ready to hang.
The artwork comes with a signed certificate of authenticity.

  • Canvas size (In cm)  61 (W) x 61 (H) x 3.5 (D)
  • Frame size (In cm)  64 (W) x 64 (H)  x 5 (D)

About Artist:

Anjana is a Sydney based palette knife artist. Anjana Rai’s art pays appreciation to the organic world of florals and landscapes. Exploring these subjects in tones and textures, her work illuminates the diversity, integrity, and complexity of the natural environment. While majority of her pieces begin as remembered scenes, sights and scapes, her imagination eagerly offers its own insertion, resulting in highly personalised, deeply sincere depictions of nature.

Employing the impasto technique, allows Anjana Rai to create dimensional, tactile works. This approach ensures an element of free-form and steers away from rigid fixation on fine details. With the utilisation of a palette knife to execute the style, and minimal to no brushwork applied, pieces venture into abstract terrain and become intricately messy by consequence.

Anjana’s art can be found in private collections in Australia, India, France, U.S.A and South Korea.

Fresh and pure

Anjana Rai

AUD$650
Size: 64w x 64h x 5d cms
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  • Oil on stretched canvas
  • Natural Oak floating frame
  • Ready to hang

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Additional Information

Fresh and pure by Anjana Rai

This artwork is  painted using impasto technique with palette knife and is framed in oak floater frame, ready to hang.
The artwork comes with a signed certificate of authenticity.

  • Canvas size (In cm)  61 (W) x 61 (H) x 3.5 (D)
  • Frame size (In cm)  64 (W) x 64 (H)  x 5 (D)

About Artist:

Anjana is a Sydney based palette knife artist. Anjana Rai’s art pays appreciation to the organic world of florals and landscapes. Exploring these subjects in tones and textures, her work illuminates the diversity, integrity, and complexity of the natural environment. While majority of her pieces begin as remembered scenes, sights and scapes, her imagination eagerly offers its own insertion, resulting in highly personalised, deeply sincere depictions of nature.

Employing the impasto technique, allows Anjana Rai to create dimensional, tactile works. This approach ensures an element of free-form and steers away from rigid fixation on fine details. With the utilisation of a palette knife to execute the style, and minimal to no brushwork applied, pieces venture into abstract terrain and become intricately messy by consequence.

Anjana’s art can be found in private collections in Australia, India, France, U.S.A and South Korea.