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  • Journey Through The Stone Country 1300x1300
  • Journey Through The Stone Country 1300x1300
  • Journey Wall 1
  • Hipstamaticphoto 671937652.888839
  • Journey Wall 3
  • Hipstamaticphoto 671937656.563302
  • Journey Wall 2
  • Hipstamaticphoto 671937659.859359
  • Tray Frame Natural Wax
  • Hipstamaticphoto 671937666.336572

Additional Information

Journey Through The Stone Country by Michael Wolfe – 130x130cm framed in a thin line Mountain Ash frame in a Natural Wax finish.

As a painter and photographer Michael Wolfe draws inspiration from the landscape around his home in Castlemaine, Victoria. He has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“My work is both abstract and representational, classical and modern, formalist and expressionist. I’m looking to strip the landscape back to its bare bones then add flourishes of colour, texture and gesture.
Discarding the traditional foreground, middle ground and background of European landscape painting, I frequently dispense with the horizon line altogether. Flattening the picture plane, adopting an elevated or aerial viewpoint over a scrubby, irregular landscape without a focal point.
Although this aerial viewpoint shares some sensibilities with the paintings of Western Desert artists, it is also informed by cubism and other modernist traditions.”

Journey Through The Stone Country

Michael Wolfe

AUD$4,400
Size: 130w x 130h x 3d cms
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Acrylic on stretched canvas

Framed – Mountain Ash frame

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Additional Information

Journey Through The Stone Country by Michael Wolfe – 130x130cm framed in a thin line Mountain Ash frame in a Natural Wax finish.

As a painter and photographer Michael Wolfe draws inspiration from the landscape around his home in Castlemaine, Victoria. He has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“My work is both abstract and representational, classical and modern, formalist and expressionist. I’m looking to strip the landscape back to its bare bones then add flourishes of colour, texture and gesture.
Discarding the traditional foreground, middle ground and background of European landscape painting, I frequently dispense with the horizon line altogether. Flattening the picture plane, adopting an elevated or aerial viewpoint over a scrubby, irregular landscape without a focal point.
Although this aerial viewpoint shares some sensibilities with the paintings of Western Desert artists, it is also informed by cubism and other modernist traditions.”