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Leanganook X by Michael Wolfe – Framed in a thin line Mountain Ash frame in a Japan Black finish.

Original artwork by award winning and internationally exhibited artist Michael Wolfe.

Michael’s work is featured extensively on The Block 2022.

This beautiful contemporary abstract painting draws inspiration from the landscape around Michael’s home in Central Victoria.

A bold and colourful statement piece from an artist who is passionate about our Australian landscape.

As a painter and photographer, Michael has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“My work is simultaneously abstract and representational, classical and modern, formalist and expressionist. Discarding the traditional foreground, middle ground and background of European landscape painting, I frequently dispense with the horizon line altogether. I love to flatten the picture plane, adopting an elevated or aerial viewpoint over a scrubby, irregular landscape without a focal point. Although this aerial viewpoint may share some sensibilities with the Papunya dot paintings, they are also informed by cubism and other modernist traditions.”

Leanganook X

Michael Wolfe

AUD$4,200
Size: 122w x 122h x 5d cms
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Acrylic on stretched canvas

Mountain Ash frame

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Additional Information

Leanganook X by Michael Wolfe – Framed in a thin line Mountain Ash frame in a Japan Black finish.

Original artwork by award winning and internationally exhibited artist Michael Wolfe.

Michael’s work is featured extensively on The Block 2022.

This beautiful contemporary abstract painting draws inspiration from the landscape around Michael’s home in Central Victoria.

A bold and colourful statement piece from an artist who is passionate about our Australian landscape.

As a painter and photographer, Michael has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“My work is simultaneously abstract and representational, classical and modern, formalist and expressionist. Discarding the traditional foreground, middle ground and background of European landscape painting, I frequently dispense with the horizon line altogether. I love to flatten the picture plane, adopting an elevated or aerial viewpoint over a scrubby, irregular landscape without a focal point. Although this aerial viewpoint may share some sensibilities with the Papunya dot paintings, they are also informed by cubism and other modernist traditions.”