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  • Moonlight Walls 3
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  • Moonight Flat 150x150
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Additional Information

Moonlight Flat by Michael Wolfe – 150 x 150cm framed in a thin line Mountain Ash frame in a Danish Oil and Natural Wax finish.

Original artwork by award winning and internationally exhibited artist Michael Wolfe.

Michael’s work is featured extensively on The Block 2022.

This beautiful contemporary abstract painting draws inspiration from the landscape around Michael’s home in Central Victoria.

A bold and colourful statement piece from an artist who is passionate about our Australian landscape.

As a painter and photographer, Michael has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“The bush around my home in Castlemaine is heavily scarred by the ravages of gold mining. In many ways the landscape has been turned inside out with the tailings and spoil from alluvial mining, dug from shafts which dot the bush, becoming the new terrain – sandstone, quartz, ochre and white clay – while nature slowly reclaims the landscape. Pioneer plants give way to box and ironbark, running up gullies and scattered around clearings.”

Moonlight Flat

Michael Wolfe

AUD$4,800
Size: 150w x 150h x 3d cms
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Acrylic on stretched canvas

Framed – Mountain Ash frame

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Additional Information

Moonlight Flat by Michael Wolfe – 150 x 150cm framed in a thin line Mountain Ash frame in a Danish Oil and Natural Wax finish.

Original artwork by award winning and internationally exhibited artist Michael Wolfe.

Michael’s work is featured extensively on The Block 2022.

This beautiful contemporary abstract painting draws inspiration from the landscape around Michael’s home in Central Victoria.

A bold and colourful statement piece from an artist who is passionate about our Australian landscape.

As a painter and photographer, Michael has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“The bush around my home in Castlemaine is heavily scarred by the ravages of gold mining. In many ways the landscape has been turned inside out with the tailings and spoil from alluvial mining, dug from shafts which dot the bush, becoming the new terrain – sandstone, quartz, ochre and white clay – while nature slowly reclaims the landscape. Pioneer plants give way to box and ironbark, running up gullies and scattered around clearings.”