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  • River Song The Lament

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River Song – The Lament  by Michael Wolfe – Framed in a thin line Mountain Ash frame in a Japan Black and Natural Wax finish.

Original artwork by award winning and internationally exhibited artist Michael Wolfe.

Michael’s work is featured extensively on The Block 2022.

This beautiful contemporary abstract painting draws inspiration from the landscape around Michael’s home in Central Victoria.

A bold and colourful statement piece from an artist who is passionate about our Australian landscape.

As a painter and photographer, Michael has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“I had a plan of where I thought these paintings would go – bold, calligraphic, reductive – and then well, I let the paintings, let the marks lead the way and I just followed where they took me. I wanted them to function as both purely abstract, as gesture and pattern, arrangements of forms; and as landscape, a flattened topographical view with little illusion of perspective or space except that which happens on the surface. I’m not sure where they’re heading, but it’s always exciting to go somewhere new.”

River Song – The Lament

Michael Wolfe

Original price was: AUD$4,800.Current price is: AUD$4,320.
Size: 140w x 140h x 5d cms
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Acrylic on stretched canvas

Framed – Mountain Ash frame

Ready to hang

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Sold By: Michael Wolfe

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Additional Information

River Song – The Lament  by Michael Wolfe – Framed in a thin line Mountain Ash frame in a Japan Black and Natural Wax finish.

Original artwork by award winning and internationally exhibited artist Michael Wolfe.

Michael’s work is featured extensively on The Block 2022.

This beautiful contemporary abstract painting draws inspiration from the landscape around Michael’s home in Central Victoria.

A bold and colourful statement piece from an artist who is passionate about our Australian landscape.

As a painter and photographer, Michael has exhibited widely in Australia and internationally and his work is included in public, corporate and private collections.

“I had a plan of where I thought these paintings would go – bold, calligraphic, reductive – and then well, I let the paintings, let the marks lead the way and I just followed where they took me. I wanted them to function as both purely abstract, as gesture and pattern, arrangements of forms; and as landscape, a flattened topographical view with little illusion of perspective or space except that which happens on the surface. I’m not sure where they’re heading, but it’s always exciting to go somewhere new.”