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  • Cara Shields Artlovers Australia Aboriginal Art Scar Pattern Country Yellow Ochre
  • Cara Shields Artlovers Australia Aboriginal Art Scar Pattern Country Yellow Ochre. Upclose
  • Cara Shields Artlovers Australia Aboriginal Art Scar Pattern Country Yellow Ochre.pigment
  • Cara Shields Artlovers Aboriginal Art Scar Tree Country Yelllow Ochre Art Room

Additional Information

Scar Pattern Country – Yellow Ochre by Cara Shields is a contemporary view of the landscape of my childhood. Drawing inspiration from the intricate regrowth lines from Scar Trees present in the Dubbo area to the deep carvings lines of Dendroglpys Trees.

Three circles represent Wellington, Dubbo and Narromine.  Townships that are the traditional grounds of the Wiradjuri and Wongaibon people.

The pattern starts with a certain style of lines that lays the foundation. These foundation lines represent

Connection, Regrowth, Boundaries, with the pattern itself representing my cultural of the past, present and the future.

All seamlessly flowing into intricate linework with the traditional pigment of yellow ochre mixed in which is highly significant by Wiradjuri women and this particular ochre is sourced from the Dubbo area.

Pinewood frame work.

 

Scar Pattern Country – Yellow Ochre

Cara Shields

AUD$1,800
Size: 76.2w x 101.6h cms
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Acrylic on stretched canvas

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Additional Information

Scar Pattern Country – Yellow Ochre by Cara Shields is a contemporary view of the landscape of my childhood. Drawing inspiration from the intricate regrowth lines from Scar Trees present in the Dubbo area to the deep carvings lines of Dendroglpys Trees.

Three circles represent Wellington, Dubbo and Narromine.  Townships that are the traditional grounds of the Wiradjuri and Wongaibon people.

The pattern starts with a certain style of lines that lays the foundation. These foundation lines represent

Connection, Regrowth, Boundaries, with the pattern itself representing my cultural of the past, present and the future.

All seamlessly flowing into intricate linework with the traditional pigment of yellow ochre mixed in which is highly significant by Wiradjuri women and this particular ochre is sourced from the Dubbo area.

Pinewood frame work.