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Additional Information

She is the Drop of Water that Became a Hundred Seas by Kerry Inkster

My passion?

Portraiture and the human form using Contemporary Art applications is paramount to my artistic practice.  I also ask questions about the human condition through my figurative paintings. I do not see my role as trying to answer philosophical, scientific, or poetic questions about human existence.  I’d rather observe and record what I see and feel using visual qualities that convey a sense of feeling from my subjects. This is what drives me to create the art that I do.

Working from manipulated photographs and film, my current body of work is inspired by the female form.  Blending the underwater scenes of my models with wet in wet painting techniques using the bleeding and movement of the paint to mimic water.  Splashes and bubbles in the water are represented by dripping and throwing of paint.  This underwater habitat is at once refreshing and liberating, and also creates a sense of suspension and quietness.  

Why this painting?

The found image that inspired this painting captivated me with the movement of the water and form. The splash of the human form hitting the water, the bubbles capturing the light under the water.  This creates a sense of both elation and daring of jumping into what appears to be a mysterious dark waterhole.  I have captured this movement with the splashes and drops of paint.  Colour also fascinates me! As a result in my palette I used deep purples contrasted against greens.   When viewing the closeup image you will notice the paint layers which gives the image depth.

Materials

I have used high quality artist acrylic paints and mediums from Matisse and Golden, and Liquitex Professional Spray Paint. Using an oil based varnish for a glossy finish.  As with most of my paintings I personally mount the board on an “inbuilt” frame.  I then paint the painting as the frame and board as one unit. This is a semi-large piece so I recommend hanging it directly from the two D rings that I supply on the back of the painting. The wooden board is subject to environmental influences.  This may create short term movement in the board/mount, hence why I recommend 2 hooks holding the painting directly to the wall, not a single hook from a single wire.

 

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She is the Drop of Water that Became a Hundred Seas

Kerry Inkster

AUD$2,050
Size: 120w x 90h x 3.5d cms
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Acrylic Paint on wood

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Original Painting by Kerry Inkster

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Additional Information

She is the Drop of Water that Became a Hundred Seas by Kerry Inkster

My passion?

Portraiture and the human form using Contemporary Art applications is paramount to my artistic practice.  I also ask questions about the human condition through my figurative paintings. I do not see my role as trying to answer philosophical, scientific, or poetic questions about human existence.  I’d rather observe and record what I see and feel using visual qualities that convey a sense of feeling from my subjects. This is what drives me to create the art that I do.

Working from manipulated photographs and film, my current body of work is inspired by the female form.  Blending the underwater scenes of my models with wet in wet painting techniques using the bleeding and movement of the paint to mimic water.  Splashes and bubbles in the water are represented by dripping and throwing of paint.  This underwater habitat is at once refreshing and liberating, and also creates a sense of suspension and quietness.  

Why this painting?

The found image that inspired this painting captivated me with the movement of the water and form. The splash of the human form hitting the water, the bubbles capturing the light under the water.  This creates a sense of both elation and daring of jumping into what appears to be a mysterious dark waterhole.  I have captured this movement with the splashes and drops of paint.  Colour also fascinates me! As a result in my palette I used deep purples contrasted against greens.   When viewing the closeup image you will notice the paint layers which gives the image depth.

Materials

I have used high quality artist acrylic paints and mediums from Matisse and Golden, and Liquitex Professional Spray Paint. Using an oil based varnish for a glossy finish.  As with most of my paintings I personally mount the board on an “inbuilt” frame.  I then paint the painting as the frame and board as one unit. This is a semi-large piece so I recommend hanging it directly from the two D rings that I supply on the back of the painting. The wooden board is subject to environmental influences.  This may create short term movement in the board/mount, hence why I recommend 2 hooks holding the painting directly to the wall, not a single hook from a single wire.

 

.