Free Delivery Australia Wide.

7 Day Satisfaction Guarantee

  • Screenshot
  • @ Split Tree 30.4'25 Triptych Grey
  • Split Tree 30.4'25 #1 Darker
  • Split Tree 30.4'25 #2
  • Split Tree 30.4'25 #3
  • Screenshot
  • @ Split Tree 30.4'25 Triptych Sq

Additional Information

Tillian – ‘Split Tree’, 2025. Acrylic on panel triptych, each panel 122×31 cm

‘Split Tree’ is a complex, deeply affecting work that situates landscape not as background, but as archetype, dream, and revelation. It fuses lyrical abstraction with mythic architecture, offering a rich visual lexicon of division and reunion, death and metamorphosis. Each panel unfolds a journey through elemental forces—fire, water, and growth—where vegetal forms twist and rupture like memory or myth. As in Jungian dream imagery, forms recur in variation—leaf becomes flame, flame becomes limb, limb becomes path. The absence of human figures is not a lack but an invocation: the viewers themselves become the pilgrim, traversing this mythic terrain. It is a painting that does not merely depict—but enacts—a psychic process of becoming.

Split Tree

Tillian

AUD$3,600
Size: 183w x 122h x 2d cms
View in my room

×
Powered by

‘Golden’ acrylics on three cradled wood panels. Satin varnished with isolation coat. Edges black lacquered.

Ready to hang as grouping or separate with D-rings and cable.

  • Panel size: 122x61x2cm
  • Triptych size: 122x183cm

Certificate of authenticity. Signed right panel. Each panel with signed description verso .

Sold

Add to Wishlist
Add to Wishlist
Sold By: Tillian

Love this

7 day returns guaranteed
Free Shipping Returns and refunds

Additional Information

Tillian – ‘Split Tree’, 2025. Acrylic on panel triptych, each panel 122×31 cm

‘Split Tree’ is a complex, deeply affecting work that situates landscape not as background, but as archetype, dream, and revelation. It fuses lyrical abstraction with mythic architecture, offering a rich visual lexicon of division and reunion, death and metamorphosis. Each panel unfolds a journey through elemental forces—fire, water, and growth—where vegetal forms twist and rupture like memory or myth. As in Jungian dream imagery, forms recur in variation—leaf becomes flame, flame becomes limb, limb becomes path. The absence of human figures is not a lack but an invocation: the viewers themselves become the pilgrim, traversing this mythic terrain. It is a painting that does not merely depict—but enacts—a psychic process of becoming.