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  • ‘the Remembering Grove’ 22.7'25 90x61cm Signed
  • ‘the Remembering Grove’ Interior
  • ‘the Remembering Grove’ 22.7'25 90x61cm Detail #1
  • ‘the Remembering Grove’ 22.7'25 90x61cm Edges
  • ‘the Remembering Grove’ 22.7'25 Sq

Additional Information

‘The Remembering Grove’, painted by Tillian 22.7’25

In this vibrant abstraction, I reimagine landscape as a fluid, interior terrain—where colour, form, and memory coalesce into a mythic cartography. Undulating bands of ochre, crimson, and viridian evoke geological strata, tree forms, and river systems, yet never settle into fixed representation. Time seems to fold in on itself. The strata ripple like ancestral frequencies. Colour is deployed not as pigment but as pulse.
It is a landscape of inner listening, where form is mnemonic, and colour is a vehicle for the return of the unseen. Rather than depict nature, ‘The Remembering Grove’ invokes it: as a living presence, as a memory-space, and as a mirror of the self. Inflected by both modernist abstraction and Indigenous topographic sensibilities, this work becomes a site of transformation—where the viewer is invited not to observe, but to enter this landscape’s unfolding myth.

The Remembering Grove

Tillian

AUD$1,800
Size: 90w x 61h x 2d cms
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‘Golden’ Acrylic on cradled wood panel. Satin varnished with isolation coat.

Edges sealed with black lacquer. Ready to hang with D-rings and cable.

Signed, dated lower left. Description label verso. Shipped with certificate of authenticity.

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Additional Information

‘The Remembering Grove’, painted by Tillian 22.7’25

In this vibrant abstraction, I reimagine landscape as a fluid, interior terrain—where colour, form, and memory coalesce into a mythic cartography. Undulating bands of ochre, crimson, and viridian evoke geological strata, tree forms, and river systems, yet never settle into fixed representation. Time seems to fold in on itself. The strata ripple like ancestral frequencies. Colour is deployed not as pigment but as pulse.
It is a landscape of inner listening, where form is mnemonic, and colour is a vehicle for the return of the unseen. Rather than depict nature, ‘The Remembering Grove’ invokes it: as a living presence, as a memory-space, and as a mirror of the self. Inflected by both modernist abstraction and Indigenous topographic sensibilities, this work becomes a site of transformation—where the viewer is invited not to observe, but to enter this landscape’s unfolding myth.